A New Genre of Fiction Called Philosophical Fiction

All of us could be players on the world stage, nevertheless the question remains why we show the emotional responses to the happenings depicted in the fiction, whether in print or visual presentation, just as in real life? Much enjoy dreams our imaginations get introduced to us on the mental screen as though we were watching movies or television. And as in dreams the real world becomes supplanted by the virtual world even though we’re fully alert. That planet still has perfect resemblance to the real one and everything happening in it appears real due to something changing in our cognition school. But the mechanism which triggers our psychological responses remains unchanged and therefore we react to this fiction in the same way as in real life.

Here we have some similarity with the virtual reality of the contemporary computer technologies, which is an artificial environment created by applications. It is introduced to the audience in such a manner in which the individual temporarily suspends own opinion pattern and takes it as a true atmosphere. In a way it is not different from the phenomenon of being transported to the imagined universe of fiction, except that the computer performing the task is in the mind and we have no clue regarding what is the software and who’s the developer.

This brings us into the cause of emotional response. In respect to fiction that the most common emotions are likes and dislikes that may turn into their more powerful types of love and hate. In real life we love or hate someone because of a few attachment through kinship, friendship, or through indirect understanding of the individual. An individual cannot love or hate a person one does not understand in any way. Attachment can also be to other living beings, material things, and to fanciful things. We love or despise a story or even an idea. For an ordinary person it is impossible to live unattached to items in the world. If a person can eliminate attachment, one joins the rank of educated souls who are indeed rare. We carry our capacity and desire for attachment even into the imaginary world of fiction. We see the characters that we come to understand as the story progresses, shape our preferences, and respond in the same manner as in real life except we cannot interact together physically. But we do socialize together in our minds and hearts from where the feelings come. helpful site is an area that is just loaded with helpful details, as you just have read. What I have found is it really just will depend on your goals and needs as it relates to your particular situation. There are possibly more than a few specifics you have to pay close attention to on your part. Specifically how they effect what you do is something you need to carefully consider. But let’s keep going because we have some exceptional tips for you to give serious attention.

The fact is that in a specific sense is fiction. Like a narrative it has a beginning, an end, and lot of things in between. We don’t know who writes this fiction will ever know. Thus we’ve got an inborn affinity with fiction and cannot completely detach ourselves from it. And perhaps that’s why, while reading or viewing fiction we get lost subconsciously in the wonderland of imagination, but for this short period we function exactly in precisely the same manner as we want in the real world of our understanding. In that sense fiction is simply invented reality.

Theme is why fiction matters, because it is the quality that provides the narrative a universal appeal. Some say theme is what the story is all about, but that is too ephemeral a definition, which might get confused with the idea or the plot.

Theme enriches and inspires the reader when saying something profound about the human condition. Theme is the abstract concept behind the narrative forming the narrative’s heart and soul which the exposition, dialogue, and action reflect every opportunity they get.

Theme isn’t the characters or the plot or the original idea that started the story. By way of example, a writer may start with the concept of exploring family connections between girls, but as his story progresses, his theme may shape up as forgiveness and understanding between different generations of guys. There are some topics on which it is very hard to write any kind of story.

Theme is indicated, occasionally without the writer’s understanding of it in the beginning; nonetheless, more seasoned authors usually work on their theme more difficult than any other part of the story as soon as they catch on to what it is they are writing about.
In non-fiction, the author is suggested to hone in to his subject and start referring to it right at the very first paragraph. In fiction, on the other hand, the motif usually flowers through the writing as the narrative progresses.

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