Reading science fiction stories enables people with poor grasp in English to improve their grammar skills. Speaking and writing in broken English is the end result of not understanding how the structure of this English sentence work. Through routine reading, you will learn the correct way to write a correct English sentence. You will find sci-fi tales at different reading difficulty levels. You can begin from the one with easy reading difficulty level that has shorter duration and then slowly advance to reading stories with tougher reading difficulty that have more length.
As you browse the science fiction narrative, you will come across words that you don’t understand. Every time you come across a difficult word, you should look up the dictionary and find out its meaning. If you didn’t purchase a dictionary, then you can use the online dictionary to look up the meaning of the word. You can learn how to pronounce the new word correctly by playing the sound to your pronunciation in the internet dictionary. The more science fiction stories you read, the more wide your vocabulary will become.
Well, that depends on the type of story you’re writing. The period of your narrative will dictate the amount of character information you’ll have to make them come to life. For simplicity’s sake, I have broken my personality sheet down into what I use for each kind of writing. Your character sheets might vary.
Fiction with its very definition is unreal. After we read a novel we are aware that the story and the characters in it are only a product of imagination of the author. When we see a movie we are aware that the characters are just acting their parts basically pretending to be somebody other than themselves. Still we are mentally affected by the twists and turns in the story. We laugh, weep with them, and also feel indignant towards the bad guys. The adorable hero or heroine might be despicable in actual life and the villain might be a perfect gentleman, but we identify them with all the characters they’re portraying. In essence for that short period we ourselves get transported into the imaginary world of the writer. Strangely enough this happens too with the author at least to some of these. He or she travels through the same emotions while writing and perhaps later also. Powerful stuff, we think – what are your impressions? You may already have guessed that web link is a vast field with much to discover. We have found other folks think these points are valuable in their search. You should take care about making too many assumptions until the big picture is more clear. So what we advise is to really try to discover what you need, and that will usually be decided by your circumstances. You have a solid base of a few essential points, and we will make that much more powerful for you as follows.
“Knowledge is limited, imagination isn’t.” Albert Einstein explained that even though the wording of the second part could have been different. Einstein like any other human being was not infallible. Some of his views he held right until the ending turned out to be incorrect in the subject of physics. In this particular announcement also he seems to have it backwards. Knowledge may be restricted in the case of an individual but generally it’s infinite even when we believe just logical understanding leaving apart transcendental. Science in particular has demonstrated this at each step in the course of its own development. Imagination pertains to an individual thoughts and is constrained by numerous things based on the circumstances of the individual. A mind can envision only what relates in a way to matters already stored in it. Someone that has been outside a distant place in wilderness and has no contact with the world outside cannot imagine what metropolitan cities would be like.
Getting back to fiction that the creativity of the author also has to be predicated on his direct or indirect experiences. In this sense fiction relies on reality and to this extent it represents just another dimension of truth. Here of course we run into the philosophical problem of the precise meaning of reality. There are two diametrically opposite viewpoints – materialistic and spiritualistic. According to the prior only things that can be perceived through our perceptions are real, everything else is unreal. The latter asserts that there is just one ultimate fact from which we perceive comes out and everything that’s perceived is only an illusion. We again look at a statement by Einstein: “Reality is merely an illusion, albeit a persistent one.” He was obviously referring to the reality of this phenomenal world. The term illusion can have different connotations but generally it means perceiving something as different from what it is. Therefore the existence of this thing is a necessity for illusion, it is not a mental construction. Imagination is a mental phenomenon and has nothing to do with anything actually existent. Thus the connection between fiction and reality is completely different from that between reality and illusion. It does take some time to write a complete story for any kind of book.
In a philosophical sense that the phenomenal world itself could be considered fiction. That is exactly what Shakespeare perhaps meant when he wrote: “All the world’s a stage, and all men and women merely players”. We may as well think of everything in the universe (space, time, matter) as players since everything has its entrance and exit. We naturally run into the problem of stating what the point is and who wrote the script. Shakespeare likely believed in God, strict determinism, also in the truth of earth, so he didn’t have this issue. Now it’s usually believed that the world also includes a beginning and will have an end. If the universe is also a player, are there multiple universes or does this come exclusively on the stage then introduces other players? However, what’s the stage in this case? Quantum physics points to one possibility. At extremely small scales of time and space there is a quantum void that is not really empty but filled with energy that is constantly changing itself to virtual particles and back. What remains after the conclusion of the world could possibly be an infinite version of this quantum emptiness full of energy into which all the matter has transformed itself. This universal energy is the origin of and background for everything.
It is not merely a philosophical point. We spend a considerable part of our life in the fictional universe. We muse about the things in long run and also dwell over the prior imagining what could have been. The imagination about the future is dependent on our hopes and aspirations and to some extent it is a positive in the sense we are in a position to mould our future if we sincerely attempt. But musing within the past is a futile exercise since we all know for a fact that ‘what might have been’ is mere fantasy that never happened. Still it serves the same function as fiction from the point of view of entertainment. We entertain ourselves by imagining how life would have been, knowing fully well that it has no reality whatsoever. In a metaphorical sense past, at the remote past, is fiction. At a certain sense history itself is fiction since it always includes the abstract bias of the author. What we understand of Buddha and Jesus today is more fiction than truth.